{"id":11,"date":"2021-07-22T17:02:35","date_gmt":"2021-07-22T17:02:35","guid":{"rendered":"https:\/\/ghadaamer.com\/?page_id=11"},"modified":"2022-10-31T14:20:20","modified_gmt":"2022-10-31T14:20:20","slug":"bio","status":"publish","type":"page","link":"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"11\" class=\"elementor elementor-11\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6d60d63 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6d60d63\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-14a59dc\" data-id=\"14a59dc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2e91fbc elementor-widget elementor-widget-toggle\" data-id=\"2e91fbc\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 18-04-2024 *\/\n.elementor-toggle{text-align:start}.elementor-toggle .elementor-tab-title{font-weight:700;line-height:1;margin:0;padding:15px;border-bottom:1px solid #d5d8dc;cursor:pointer;outline:none}.elementor-toggle .elementor-tab-title .elementor-toggle-icon{display:inline-block;width:1em}.elementor-toggle .elementor-tab-title .elementor-toggle-icon svg{margin-inline-start:-5px;width:1em;height:1em}.elementor-toggle .elementor-tab-title .elementor-toggle-icon.elementor-toggle-icon-right{float:right;text-align:right}.elementor-toggle .elementor-tab-title .elementor-toggle-icon.elementor-toggle-icon-left{float:left;text-align:left}.elementor-toggle .elementor-tab-title .elementor-toggle-icon .elementor-toggle-icon-closed{display:block}.elementor-toggle .elementor-tab-title .elementor-toggle-icon .elementor-toggle-icon-opened{display:none}.elementor-toggle .elementor-tab-title.elementor-active{border-bottom:none}.elementor-toggle .elementor-tab-title.elementor-active .elementor-toggle-icon-closed{display:none}.elementor-toggle .elementor-tab-title.elementor-active .elementor-toggle-icon-opened{display:block}.elementor-toggle .elementor-tab-content{padding:15px;border-bottom:1px solid #d5d8dc;display:none}@media (max-width:767px){.elementor-toggle .elementor-tab-title{padding:12px}.elementor-toggle .elementor-tab-content{padding:12px 10px}}.e-con-inner>.elementor-widget-toggle,.e-con>.elementor-widget-toggle{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4881\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-4881\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Education<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4881\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-4881\"><dl class=\"dl-horizontal\">\n<dt><strong>1989<\/strong><\/dt>\n<dd>MFA in Painting, Villa Arson EPIAR, Nice, France.<\/dd>\n<\/dl><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4882\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"button\" aria-controls=\"elementor-tab-content-4882\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Selected solo exhibitions<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4882\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"region\" aria-labelledby=\"elementor-tab-title-4882\"><dl class=\"dl-horizontal\">\n<dt><b>2021<\/b><\/dt>\n<dd>New York, NY \u2013 Marianne Boesky Gallery \u2013 Ghada Amer \u2013 September 9 \u2013 October 23, 2021<\/dd>\n<dt><b>2020<\/b><\/dt>\n<dd>\n<p>Zapopan, Mexico \u2013 Museo de Arte Zapopan \u2013 Hoy el 70% de los pobres en el mundo son mujeres \u2013 February 1 \u2013 May 31, 2020<\/p>\n<p>Berlin, Germany; Palma, Spain \u2013 Kewenig \u2013 The Women I Know \u2013 November 21, 2020 \u2013 February 6, 2021<\/p>\n<p>London, UK \u2013 Goodman Gallery \u2013 In Black and White \u2013 December 2 \u2013 January 9, 2021<\/p>\n<\/dd>\n<dt><b>2018<\/b><\/dt>\n<dd>\n<p>Tours, France \u2013 Centre de Cr\u00e9ation Contemporaine Olivier Debr\u00e9 \u2013 Dark Continent \u2013 June 2 \u2013 November 4, 2018<\/p>\n<p>Dallas, Texas \u2013 Dallas Contemporary \u2013 Ceramics, Knots, Thoughts, Scraps \u2013 September 30 \u2013 December 17, 2018<\/p>\n<p>New York, NY \u2013 Cheim &amp; Read \u2013 Ghada Amer \u2013 April 5 \u2013 May 5, 2018<\/p>\n<p>Cape Town, South Africa \u2013 Goodman Gallery \u2013 Ghada Amer &amp; Reza Farkhondeh\/Love Is a Difficult Blue \u2013 January 18 \u2013 March 3, 2018<\/p>\n<\/dd>\n<dt><b>2017<\/b><\/dt>\n<dd>New York, NY \u2013 Jane Hartsook Gallery, Greenwich House Pottery \u2013 Ghada Amer: D\u00e9esse Terre \u2013 June 4 \u2013 July 5, 2017<\/dd>\n<dt><b>2016<\/b><\/dt>\n<dd>Berlin, Germany \u2013 Kewenig \u2013 Ghada Amer \u2013 April 29 \u2013 July 30, 2016<\/dd>\n<dt><b>2014<\/b><\/dt>\n<dd>New York, NY \u2013 Cheim &amp; Read \u2013 Rainbow Girls \u2013 April 3 \u2013 May 10, 2014<\/dd>\n<dt><b>2013<\/b><\/dt>\n<dd>Seoul, South Korea \u2013 Kukje Gallery \u2013 R\u00e9f\u00e9rence \u00e0 Elle \u2013 May 17 \u2013 June 30, 2013<\/dd>\n<dt><b>2012<\/b><\/dt>\n<dd>\n<p>Montr\u00e9al (QC), Canada \u2013 Mus\u00e9e d\u2019Art Contemporain de Montr\u00e9al \u2013 Ghada Amer \u2013 February 2 \u2013 April 22, 2012<\/p>\n<p>New York, NY \u2013 Tina Kim Gallery \u2013 The Other I \u2013 April 26 \u2013 June 2, 2012<\/p>\n<\/dd>\n<dt><b>2011<\/b><\/dt>\n<dd>Johannesberg, South Africa \u2013 Goodman Gallery \u2013 No Romance: Ghada Amer, Reza Farkhondeh and Collaborative Work \u2013 February 17 \u2013 April 2, 2011<\/dd>\n<dt><b>2010<\/b><\/dt>\n<dd>\n<p>Lisbon, Portugal \u2013 Galeria Filomena Soares \u2013 The Gardens Next Door: Ghada Amer And Reza \u2013 September 16 \u2013 November 6, 2010<\/p>\n<p>New York, NY \u2013 Cheim &amp; Read \u2013 Ghada Amer: Color Misbehavior \u2013 May 6 \u2013 June 19, 2010<\/p>\n<\/dd>\n<dt><b>2009<\/b><\/dt>\n<dd>\n<p>Istanbul, Turkey \u2013 Dirimart \u2013 Ghada Amer: Failing Shahrazad \u2013 September 6 \u2013 October 24, 2009<\/p>\n<p>New York, NY \u2013 Pace Prints Chelsea \u2013 Ghada Amer and Reza Farkhondeh: Roses Off Limits \u2013 April 16 \u2013 June 13, 2003<\/p>\n<\/dd>\n<dt><b>2008<\/b><\/dt>\n<dd>\n<p>New York, NY \u2013 Tina Kim Gallery \u2013 Ghada Amer and Reza Farkhondeh: Collaborative Drawings; travelled to New York \u2013 March 14 \u2013 April 8, 2008<\/p>\n<p>Brooklyn, NY \u2013 Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum \u2013 Ghada Amer: Love Has No End, organized by Maura Reilly \u2013 February 16 \u2013 October 19, 2008<\/p>\n<p>Singapore, Singapore \u2013 Singapore Tyler Institute \u2013 Ghada Amer and Reza Farkhondeh: A New Collaboration on Paper \u2013 February 23 \u2013 March 20, 2008<\/p>\n<\/dd>\n<dt><b>2007<\/b><\/dt>\n<dd>\n<p>Milan, Italy \u2013 Galleria Francesca Minini \u2013 Ghada Amer and Reza Farkhondeh: An Indigestible Dessert \u2013 May 17 \u2013 June 28, 2007<\/p>\n<p>Milan, Italy \u2013 Galleria Francesca Minini \u2013 Ghada Amer and Reza Farkhondeh: La Salon Courb\u00e9 \u2013 May 17 \u2013 July 28, 2007<\/p>\n<p>Seol, South Korea \u2013 Kukje Gallery \u2013 Another Spring \u2013 December 15, 2007 \u2013 January 13, 2008<\/p>\n<p>Seoul, South Korea \u2013 Kukje Gallery \u2013 Ghada Amer and Reza Farkhondeh: Collaborative Drawings \u2013 December 15, 2007 \u2013 January 13, 2008<\/p>\n<p>Rome, Italy \u2013 Museo d\u2019Arte Contemporanea Roma (MACRO) \u2013 Ghada Amer, curated by Danillo Eccher \u2013 May 25 \u2013 September 30, 2007<\/p>\n<\/dd>\n<dt><b>2006<\/b><\/dt>\n<dd>\n<p>s\u2019-Hertogenbosch, Netherlands \u2013 Stedelijk Museum s\u2019-Hertogenbosch \u2013 Ghada Amer: Paintings and RFGA Drawings, curated by Jos Poodt \u2013 July 1 \u2013 November 12, 2006<\/p>\n<p>New York, NY \u2013 Gagosian Gallery \u2013 Ghada Amer: Breathe Into Me \u2013 January 21 \u2013 February 25, 2006<\/p>\n<\/dd>\n<dt><b>2005<\/b><\/dt>\n<dd>\n<p>Wellesley, MA \u2013 Davis Museum and Cultural Center, Wellesley College \u2013 The Reign of Terror, curated by Anja Ch\u00e1vez \u2013 March 9 \u2013 June 19, 2005<\/p>\n<p>Kansas City, MO \u2013 H&amp;R Block Artspace at Kansas City Art Institute \u2013 Ghada Amer: Naughty and Nice, curated by R. Smith \u2013 June 1 \u2013 July 16, 2005<\/p>\n<\/dd>\n<dt><b>2004<\/b><\/dt>\n<dd>\n<p>Valencia, Spain \u2013 Institut Valenc\u00eca d\u2019Art Modern (IVAM) \u2013 Ghada Amer, curated by Teresa Millet \u2013 September 9 \u2013 November 7, 2004<\/p>\n<p>Beverly Hills, CA \u2013 Gagosian Gallery \u2013 Ghada Amer \u2013 September 17 \u2013 October 23, 2004<\/p>\n<\/dd>\n<dt><b>2003<\/b><\/dt>\n<dd>\n<p>Brescia, Italy \u2013 Galleria Massimo Minini \u2013 Ghada Amer \u2013 May 17 \u2013 July 30, 2003<\/p>\n<p>Lisbon, Portugal \u2013 Galeria Filomena Soares \u2013 Universal Strangers, curated by Rosa Mart\u00ednez \u2013 January 16 \u2013 February 22, 2003<\/p>\n<p>Indianapolis, IN \u2013 Indianapolis Museum of Art \u2013 Forefront 45: Ghada Amer \u2013 September 13 \u2013 November 30, 2003<\/p>\n<\/dd>\n<dt><b>2002<\/b><\/dt>\n<dd>\n<p>D\u00fcsseldorf, Germany \u2013 Museum Kunst Palast \u2013 Reading Between the Threads, curated by Selene Wendt; travelled to D\u00fcsseldorf, Germany \u2013 February 2 \u2013 May 5, 2002<\/p>\n<p>San Francisco, CA \u2013 San Francisco Art Institute \u2013 Works by Ghada Amer \u2013 February 13 \u2013 May 20, 2002<\/p>\n<p>Amsterdam, Netherlands \u2013 De Appel Foundation \u2013 Ghada Amer, curated by Saskia Bos \u2013 April 6 \u2013 May 19, 2002<\/p>\n<p>Ume\u00e2, Sweden \u2013 Bildmuseet, University of Ume\u00e2 \u2013 Reading Between the Threads, curated by Selene Wendt; travelled to Ume\u00e2, Sweden \u2013 May 26 \u2013 October 13, 2002<\/p>\n<p>London, UK \u2013 Gagosian Gallery \u2013 Ghada Amer \u2013 May 2 \u2013 June 8, 2002<\/p>\n<\/dd>\n<dt><b>2001<\/b><\/dt>\n<dd>\n<p>Houston, TX \u2013 Contemporary Art Museum \u2013 Ghada Amer: Pleasure, curated by Valerie Cassel \u2013 July 26 \u2013 August 26, 2001<\/p>\n<p>Oslo, Norway \u2013 Henrie-Onstad Kunstsenter \u2013 Reading Between the Threads, curated by Selene Wendt \u2013 November 1 \u2013 December 2, 2001<\/p>\n<p>New York, NY \u2013 Deitch Projects \u2013 Encyclopedia of Pleasure \u2013 November 10 \u2013 December 22, 2001<\/p>\n<\/dd>\n<dt><b>2000<\/b><\/dt>\n<dd>\n<p>Jerusalem, Israel \u2013 Anadil Gallery \u2013 Ghada Amer Drawings \u2013 June 16 \u2013 July 30, 2000<\/p>\n<p>New York, NY \u2013 Deitch Projects \u2013 Intimate Confessions \u2013 April 15 \u2013 May 27, 2000<\/p>\n<p>Berlin, Germany \u2013 Kunst-Werke \u2013 Intimate Confessions; travelled to Berlin, Germany \u2013 June 10 \u2013 July 10, 2000<\/p>\n<p>Tel Aviv, Israel \u2013 Tel Aviv Museum of Art \u2013 Intimate Confessions; travelled to Tel Aviv, Israel \u2013 June 15 \u2013 September 2, 2000<\/p>\n<p>Tours, France \u2013 Centre Culturel Contemporain \u2013 Encyclopedia of Pleasure, curated by A.J. Laferri\u00e8re \u2013 June 24 \u2013 October 29, 2000<\/p>\n<\/dd>\n<dt><b>1999<\/b><\/dt>\n<dd>Seville, Spain \u2013 Centro Andaluz de Arte Contempor\u00e1neo \u2013 Ghada Amer, curated by Margarita Aizpunu \u2013 November 26, 1999 \u2013 January 16, 2000<\/dd>\n<dt><b>1998<\/b><\/dt>\n<dd>New York, NY \u2013 Annina Nosei Gallery \u2013 Ghada Amer \u2013 April 18 \u2013 May 20, 1998<\/dd>\n<dt><b>1996<\/b><\/dt>\n<dd>New York, NY \u2013 Annina Nosei Gallery \u2013 Ghada Amer \u2013 March 16 \u2013 April 10, 1996<\/dd>\n<dt><b>1994<\/b><\/dt>\n<dd>Br\u00e9tigny-sur-Orge, France \u2013 Espace Jules Verne \u2013 Ghada Amer \u2013 September 30 \u2013 December 5, 1994<\/dd>\n<dt><b>1993<\/b><\/dt>\n<dd>Paris, France \u2013 Galerie M\u00e9t\u00e9o \u2013 Ghada Amer \u2013 September 16 \u2013 October 23, 1993<\/dd>\n<dt><b>1992<\/b><\/dt>\n<dd>Paris, France \u2013 H\u00f4pital Eph\u00e9m\u00e8re \u2013 Ghada Amer \u2013 March 1 \u2013 April 19, 1992<\/dd>\n<\/dl><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4883\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"button\" aria-controls=\"elementor-tab-content-4883\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Selected group exhibitions<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4883\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"region\" aria-labelledby=\"elementor-tab-title-4883\"><dl class=\"dl-horizontal\">\n<dt><b>2021<\/b><\/dt>\n<dd>\n<p>Santiago, Spain \u2013 Contemporary Art Center of Galicia \u2013 Breaking the Monument (Images of Resistance) \u2013 February 26 \u2013 June 13, 2021<\/p>\n<p>Abu Dhabi, United Arab Emirates \u2013 Louvre Abu Dhabi \u2013 Abstraction and Calligraphy \u2212 Towards a Universal Language \u2013 February 17 \u2013 June 12, 2021<\/p>\n<p>Palm Springs, CA \u2013 Desert X \u2013 Desert X 2021; curated by Neville Wakefield and C\u00e9sar Garc\u00eda-Alvarez \u2013 March 12 \u2013 May 16, 2021<\/p>\n<p>Detroit, MI \u2013 Detroit Institute of Arts \u2013 Experience &amp; Expression \u2013 January 30 \u2013 October 3, 2021<\/p>\n<\/dd>\n<dt><b>2020<\/b><\/dt>\n<dd>\n<p>Aspen, CO \u2013 Anderson Ranch Arts Center \u2013 Sculpturally Distanced \u2013 July 6, 2020 \u2013 September 6, 2021<\/p>\n<p>Roslyn Harbor, CT \u2013 Nassau County Museum of Art \u2013 Heroines of Abstract Expressionism and FEM \u2013 November 14, 2020 \u2013\u00a0April 25, 2021<\/p>\n<p>New Britain, CT \u2013 New Britain Museum of American Art \u2013 Some Day is Now: Women; Art &amp; Social Change \u2013 October 1, 2020 \u2013 January 24, 2021<\/p>\n<\/dd>\n<dt><b>2019<\/b><\/dt>\n<dd>\n<p>Rabat, Morocco \u2013 Mus\u00e9e Mohammed VI d\u2019Art Moderne et Contemporain de Rabat \u2013 un instant avant le monde; Biennale de Rabat 2019, curated by Abdelkader Damani \u2013 September 24 \u2013 December 18, 2019<\/p>\n<p>Capetown, South Africa \u2013 Zeitz Museum of Contemporary Art Africa (MOCAA) \u2013 All Things Being Equal \u2013 September 22 \u2013 December 31, 2019<\/p>\n<\/dd>\n<dt><b>2018<\/b><\/dt>\n<dd>\n<p>Abu Dhabi, United Arab Emirates \u2013 New York University (NYU) Abu Dhabi \u2013 Ways of Seeing; curated by Sam Bardaouil &amp; Till Fellrath \u2013 September 3 \u2013 November 17, 2018<\/p>\n<p>Melle, France \u2013 Biennale de Melle \u2013 Le Grand monnayage: 8e biennale international d\u2019art contemporain de Melle; curated by Fr\u00e9d\u00e9ric Legros and Chlo\u00e9 Hipeau-Diskos \u2013 June 30 \u2013 September 23, 2018<\/p>\n<p>Nashville, TN \u2013 Frist Center \u2013 Chaos and Awe: Painting for the 21st Century; organized by Mark Scala \u2013 June 22 \u2013 September 16, 2018<\/p>\n<p>Greensboro, NC &amp; Iowa \/ Ohio, USA \u2013 Bob &amp; Lissa Shalley McDowell Gallery \/ Travelling to : Faulconer Gallery, Grinnel College, Akron Art Museum \u2013 Weatherspoon Art Museum; University of North Carolina at Greensboro; Dread &amp; Delight: Fairty Tales in an Anxious World, curated by Dr. Emily Stamey \u2013 August 25 \u2013 December 9, 2018<\/p>\n<p>Brooklyn, NY \u2013 Brooklyn Museum \u2013 Half the Picture: A Feminist Look at the Collection \u2013 August 31, 2018 \u2013 March 31, 2019<\/p>\n<\/dd>\n<dt><b>2017<\/b><\/dt>\n<dd>\n<p>Birmingham, AL \u2013 Birmingham Museum of Arts \u2013 Third Space: Shifting Conversations about Contemporary Art \u2013 January 28, 2017 \u2013 January 6, 2019<\/p>\n<p>Washington, D.C. \u2013 Smithsonian National Museum of African Art \u2013 Visionary: Viewpoints on Africa\u2019s Arts \u2013 November 4, 2017 \u2013 permanent<\/p>\n<\/dd>\n<dt><b>2016<\/b><\/dt>\n<dd>New York, NY \u2013 Cheim &amp; Read \u2013 The Female Gaze; Part Two: Women Look at Men, curated by John Cheim \u2013 June 23 \u2013 September 2, 2016<\/dd>\n<dt><b>2015<\/b><\/dt>\n<dd>\n<p>Albuquerque, NM \u2013 Albuquerque Museum \u2013 Killer Heels: The Art of the High-Heeled Shoe; organized by Lisa Small \u2013 May 30 \u2013 August 9, 2015<\/p>\n<p>Palm Springs, CA \u2013 Palm Springs Art Museum \u2013 Killer Heels: The Art of the High-Heeled Shoe; organized by Lisa Small \u2013 September 5 \u2013 December 13, 2015<\/p>\n<\/dd>\n<dt><b>2014<\/b><\/dt>\n<dd>\n<p>Manchester, NH \u2013 Currier Museum of Art \u2013 Killer Heels: The Art of the High-Heeled Shoe; organized by Lisa Small \u2013 February 5 \u2013 May 15, 2014<\/p>\n<p>Gwangju, South Korea \u2013 Gwangju Museum of Art \u2013 Songs of Loss and Songs of Love: Oum Kulthum and Lee Nan-Young; curated by Sam Bardaouil and Till Ferhat \u2013 May 19 \u2013 July 13, 2014<\/p>\n<p>Abu Dhabi, United Arab Emirates \u2013 Manarat Al Saadiyat \u2013 Seeing Through Light: Selections from the Guggenheim Abu Dhabi Collection; organized by Susan Davidson- Solomon R. Guggenheim Foundation- with Sasha Kalter-Wasseman- Guggenheim Abu Dhabi Project- and Maisa Al Qassimi- Guggenheim Abu Dhabi, Abu Dhabi Tourism &amp; Cultural Authority \u2013 November 5, 2014 \u2013 January 19, 2015<\/p>\n<p>Brooklyn, NY \u2013 Brooklyn Museum \u2013 Killer Heels: The Art of the High-Heeled Shoe; organized by Lisa Small \u2013 September 10, 2014 \u2013 March 1, 2015<\/p>\n<\/dd>\n<dt><b>2013<\/b><\/dt>\n<dd>Washington, D.C. \u2013 National Museum of African American Art, Smithsonian Institution \u2013 Earth Matters: Land as Material and Metaphor in the Arts of Africa \u2013 April 22, 2013 \u2013 January 5, 2014<\/dd>\n<dt><b>2012<\/b><\/dt>\n<dd>Paris, France \u2013 Institut du Monde Arabe \u2013 Le Corps D\u00e9couvert \u2013 March 26 \u2013 July 15, 2012<\/dd>\n<dt><b>2010<\/b><\/dt>\n<dd>Doha, Qatar \u2013 Mathaf: Arab Museum of Modern Art \u2013 Told\/Untold\/Retold \u2013 December 30, 2010 \u2013 May 28, 2011<\/dd>\n<dt><b>2009<\/b><\/dt>\n<dd>Moscow, Russia \u2013 3rd Moscow Biennale \u2013 Dasha Zhukova\u2019s Garage Center for Contemporary Culture; Against Exclusion \u2013 September 24 \u2013 October 29, 2009<\/dd>\n<dt><b>2008<\/b><\/dt>\n<dd>New Orleans, LA \u2013 Contemporary Arts Center \u2013 Prospects I; curated by Don Cameron \u2013 November 3, 2008 \u2013 January 18, 2009<\/dd>\n<dt><b>2007<\/b><\/dt>\n<dd>\n<p>Stockholm, Sweden \u2013 Modena Museet \u2013 Africa Remix: Contemporary Art of a Continent; curated by Jean-Hubert \u2013 October 14, 2006 \u2013 January 14, 2007<\/p>\n<p>Brooklyn, NY \/ Wellesley, MA \u2013 Brooklyn Museum \/ Wellesley College \u2013 Global Feminisms; curated by Maura Reilly and Linda Nochlin \u2013 September 12 \u2013 December 9, 2007<\/p>\n<p>Venice, Italy \u2013 African Pavillion \u2013 Arsenale; La Biennale di Venezia 52; Check-Lists Luanda Pop; curated by Fernando Alvim and Simon Njami \u2013 June 10 \u2013 November 21, 2007<\/p>\n<\/dd>\n<dt><b>2006<\/b><\/dt>\n<dd>\n<p>San Francisco, CA \u2013 Museum of the African Diaspora \u2013 Looking Both Ways: Art of the Contemporary African Diaspora; curated by Laurie Ann Farrell \u2013 April 6 \u2013 June 4, 2006<\/p>\n<p>Tokyo, Japan \u2013 Mori Art Museum \u2013 Africa Remix: Contemporary Art of a Continent; curated by Jean-Hubert \u2013 May 27 \u2013 August 31, 2006<\/p>\n<p>New York, NY \u2013 Museum of Modern Art \u2013 Without Boundary: Seventeen Ways of Looking; curated by Fereshteh Daftari \u2013 February 26 \u2013 May 22, 2006<\/p>\n<p>London, UK \u2013 British Museum \u2013 Word into Art \u2013 May 18 \u2013 September 3, 2006<\/p>\n<p>Sydney, Australia \u2013 15th Biennale of Sydney \u2013 Zones of Contact; curated by Charles Merewether \u2013 June 8 \u2013 August 27, 2006<\/p>\n<\/dd>\n<dt><b>2005<\/b><\/dt>\n<dd>\n<p>Edinburgh, Scotland \u2013 City Art Centre \u2013 Looking Both Ways: Art of the Contemporary African Diaspora; curated by Laurie Ann Farrell \u2013 June 18 \u2013 September 11, 2005<\/p>\n<p>Paris, France \u2013 Centre Georges Pompidou \u2013 Africa Remix: Contemporary Art of a Continent; curated by Jean-Hubert \u2013 May 25 \u2013 August 8, 2005<\/p>\n<p>London, UK \u2013 Hayward Gallery \u2013 Africa Remix: Contemporary Art of a Continent; curated by Jean-Hubert \u2013 February 10 \u2013 April 17, 2005<\/p>\n<p>Istanbul, Turkey \u2013 Istanbul Modern \u2013 Centre of Gravity \u2013 September 17, 2005 \u2013 January 8, 2006<\/p>\n<p>Venice, Italy \u2013 51st International Art Exhibition \u2013 La Biennale di Venezia; Always a Little Further, curated by Rosa Mart\u00ednez \u2013 June 12 \u2013 November 6, 2005<\/p>\n<\/dd>\n<dt><b>2004<\/b><\/dt>\n<dd>\n<p>Salem, MA \u2013 Peabody Essex Museum \u2013 Looking Both Ways: Art of the Contemporary African Diaspora; curated by Laurie Ann Farrell \u2013 March 27 \u2013 June 20, 2004<\/p>\n<p>D\u00fcsseldorf, Germany \u2013 Museum Kunst Palast \u2013 Africa Remix: Contemporary Art of a Continent; curated by Jean-Hubert \u2013 July 24 \u2013 November 11, 2004<\/p>\n<p>Paris, France \u2013 Centre Georges Pompidou \u2013 Hommage \u00e0 George Pompidou: Parcours dans les collections du Mus\u00e9e d\u2019Art Moderne; curated by Bruno Racine \u2013 April 3 \u2013 May 3, 2004<\/p>\n<p>Bloomfield Hills, MI \u2013 Cranbrook Academy of Art \u2013 Looking Both Ways: Art of the Contemporary African Diaspora; curated by Laurie Ann Farrell \u2013 September 11 \u2013 November 28, 2004<\/p>\n<\/dd>\n<dt><b>2003<\/b><\/dt>\n<dd>\n<p>Washington, D.C. \u2013 National Museum of African Art \u2013 Inscribing Meanings: African Arts of Communication \u2013 May 9 \u2013 August 26, 2003<\/p>\n<p>Long Island City, NY \u2013 Museum of African Art \u2013 Looking Both Ways: Art of the Contemporary African Diaspora; curated by Laurie Ann Farrell \u2013 November 13, 2003 \u2013 March 1, 2004<\/p>\n<\/dd>\n<dt><b>2002<\/b><\/dt>\n<dd>Long Island City, NY \u2013 MoMA PS 1 \u2013 The Short Century: Independence and Liberation Movements in Africa, 1945-1997; curated by Okwui Enwezor \u2013 February 10 \u2013 May 10, 2002<\/dd>\n<dt><b>2001<\/b><\/dt>\n<dd>\n<p>Munich, Germany \u2013 Museum Villa Stuck \u2013 The Short Century: Independence and Liberation Movements in Africa, 1945-1994; curated by Okwui Enwezor \u2013 February 15 \u2013 April 22, 2001<\/p>\n<p>Berlin, Germany \u2013 Martin-Gropius-Bau \u2013 The Short Century: Independence and Liberation Movements in Africa, 1945-1995; curated by Okwui Enwezor \u2013 May 18 \u2013 July 29, 2001<\/p>\n<p>Chicago, IL \u2013 Museum of Contemporary Art \u2013 The Short Century: Independence and Liberation Movements in Africa, 1945-1996; curated by Okwui Enwezor \u2013 September 8 \u2013 December 30, 2001<\/p>\n<\/dd>\n<dt><b>2000<\/b><\/dt>\n<dd>\n<p>New York, NY \u2013 Whitney Museum of American Art \u2013 Whitney Biennial; curated by Maxwell Lincoln Andersen, Michael G. Aupig- Valerie Cassel- Hugh M. Davies- Jane Farver- Andrea Miller-Keller- and Lawrence R. Rinder \u2013 March 21 \u2013 June, 2000<\/p>\n<p>Limerick, Ireland \u2013 Limerick City Gallery of Art \u2013 Friends and Neighbours: EV+A 2000; curated by Rosa Mart\u00ednez \u2013 March 10 \u2013 June 4, 2000<\/p>\n<p>Long Island City, NY \u2013 MoMA PS1 \u2013 Greater New York \u2013 February 27 \u2013 May 1, 2000<\/p>\n<p>Lyon, France \u2013 La Biennale de Lyon \u2013 5th Biennale d\u2019art contemporain de Lyon: Partage d\u2019exotismes (Sharing of Exoticisms); curated by Jean-Hubert Marin, Thierry Prat and Thierry Raspail \u2013 June 27 \u2013 September 24, 2000<\/p>\n<p>Kwangju, South Korea \u2013 Kwanju Biennial \u2013 Man and Space; curated by Ren\u00e9 Block \u2013 March 29 \u2013 June 7, 2000<\/p>\n<\/dd>\n<dt><b>1999<\/b><\/dt>\n<dd>\n<p>Venice, Italy \u2013 Venice Biennale \u2013 APERTO Over All; curated by Harald Szeeman \u2013 June 13 \u2013 November 7, 1999<\/p>\n<p>Villeurbanne\/Rh\u00f4ne-Alps, France \u2013 Institut D\u2019Art Contemporain \u2013 L\u2019Envers du d\u00e9cor; dimensions d\u00e9coratives dans l\u2019art du XX\u00e8me si\u00e8cle \u2013 May 21 \u2013 October 31, 1999<\/p>\n<p>Santa Fe, New Mexico \u2013 Third International Biennial \u2013 SITE Santa Fe; Looking for a Place; curated by Rosa Mart\u00ednez \u2013 July 1 \u2013 December 12, 1999<\/p>\n<\/dd>\n<dt><b>1998<\/b><\/dt>\n<dd>\n<p>Villeneuve d\u2019Ascq, France \u2013 Mus\u00e9e d\u2019Art Moderne Lille M\u00e9tropole \u2013 L\u2019Envers du d\u00e9cor; dimensions d\u00e9coratives dans l\u2019art du XX\u00e8me si\u00e8cle \u2013 October 17, 1998 \u2013 February 21, 1999<\/p>\n<p>Kassel, Germany \u2013 Museum Fridericaum \u2013 Echolot; curated by Ren\u00e9 Block \u2013 March 22 \u2013 June 7, 1998<\/p>\n<p>London, UK \u2013 Serpentine Gallery \u2013 Loose Threads; curated by Lisa Corrin \u2013 August 21 \u2013 September 20, 1998<\/p>\n<\/dd>\n<dt><b>1997<\/b><\/dt>\n<dd>\n<p>Johannesburg, South Africa \u2013 2nd Johannesburg Biennale \u2013 Alternating Currents; curated by Okwui Enwezor and Octavio Zaya \u2013 October 12 \u2013 December 12, 1997<\/p>\n<p>Grenoble, France \u2013 Le Magasin Centre National d\u2019Art Contemporain de Grenoble \u2013 Vraiment feminisme et art; curated by Laura Cottingham \u2013 April 6 \u2013 May 25, 1997<\/p>\n<\/dd>\n<dt><b>1996<\/b><\/dt>\n<dd>\n<p>Ljubljana, Slovenia \u2013 Moderna Galerija \u2013 The Sense of Order; curated by Zdenka Badovinac \u2013 May 9 \u2013 June 23, 1996<\/p>\n<p>Cairo, Egypt \u2013 Espace Karim Francis \u2013 Miniatures \u2013 May 28 \u2013 June 18, 1996<\/p>\n<\/dd>\n<dt><b>1995<\/b><\/dt>\n<dd>\n<p>Graz, Austria \u2013 Neue Galerie am Landesmuseum Joanneum \u2013 Pittura\/Immedia; curated by Peter Weibel \u2013 March 11 \u2013 April 18, 1995<\/p>\n<p>Istanbul, Turkey \u2013 \u2013 Orient\/ation:The Vision of Art in a Paradoxical World.4th International Istanbul Biennial ( curated by Ren\u00e9 Block) \u2013 November 10 \u2013 December 10, 1995<\/p>\n<p>Frankfurt am Main, Germany \u2013 Galerie Martina Detterer \u2013 The Mutated Painting \u2013 February 25 \u2013 May 5, 1995<\/p>\n<\/dd>\n<dt><b>1994<\/b><\/dt>\n<dd>\n<p>D\u00f4le France \u2013 Mus\u00e9e des Beaux-Arts \u2013 Bifurcations \u2013 April 26 \u2013 March 10, 1994<\/p>\n<p>Albi, France \u2013 Cimaise et Portique \u2013 Bifurcations \u2013 January 26 \u2013 March 10, 1994<\/p>\n<p>Meymac, France \u2013 Abbaye Saint Andr\u00e9 Centre d\u2019Art Contemporain \u2013 Bifurcations \u2013 February 20 \u2013 April 17, 1994<\/p>\n<\/dd>\n<dt><b>1993<\/b><\/dt>\n<dd>Paris, France \u2013 Galerie Thaddeus Ropac \u2013 June; curated by Oliver Zahm \u2013 June 3 \u2013 July 17, 1993<\/dd>\n<\/dl><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4884\" class=\"elementor-tab-title\" data-tab=\"4\" role=\"button\" aria-controls=\"elementor-tab-content-4884\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Bibliography<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4884\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"region\" aria-labelledby=\"elementor-tab-title-4884\"><dl class=\"dl-horizontal\">\n<dt><b>2019<\/b><\/dt>\n<dd>\n<p>Larson, Vanessa. \u201cThe National Museum of African Art has doubled its holdings of art by women. This show puts their work in the spotlight,\u201d The Washington Post (July 18, 2019)<\/p>\n<p>\u201c\u2019They Were Exploring a New World\u2019: Arnold Lehman on His Exhibition of Postwar American Women Artists at Phillips,\u201d ArtNews (July 25, 2019) [online]<\/p>\n<\/dd>\n<dt><b>2018<\/b><\/dt>\n<dd>\n<p>Wilson-Goldie, Kaelen, \u201cGhada Amer at Cheim &amp; Read,\u201d Artforum (April 2018) [online]<\/p>\n<p>Langmuir, Molly, \u201cSeven Female Artists Weigh in On Men Painting Women, and Women Doing it for Themselves,\u201d New York Magazine (April 16, 2018) [online]<\/p>\n<p>Rodney, Seph. \u201cHow Ghada Amer Uses Seduction to Expose Sexism,\u201d Hyperallergic (May 10, 2018) [online]<\/p>\n<p>Vine, Richard, \u201cReviews: Ghada Amer at Centre de Cr\u00e9ation Contemporaine Olivier Debr\u00e9\u201d (September 1, 2018)<\/p>\n<\/dd>\n<dt><b>2017<\/b><\/dt>\n<dd>\u201cGhada Amer \u2013 Why I Create,\u201d Phaidon (November 1, 2017) [online]<\/dd>\n<dt><b>2016<\/b><\/dt>\n<dd>\n<p>Laura van Straaten, \u201cEarth, Love, Fire,\u201d Harpers Bazaar Arabia (Winter 2016) [online]<\/p>\n<p>Proctor, Rebecca, \u201cEvocative Gaze,\u201d Harpers Bazaar Arabia (Winter 2016) [online]<\/p>\n<p>Johnson, Ken, \u201c\u2019The Female Gaze, Part Two: Women Look at Men\u2019,\u201d The New York Times (July 29, 2016) [online]<\/p>\n<\/dd>\n<dt><b>2014<\/b><\/dt>\n<dd>\n<p>Laster, Paul \u201cGhada Amer, \u2018Rainbow Girls,\u2019\u201d Time Out New York (April 17 \u2013 23, 2014) [online]<\/p>\n<p>OCAD University, \u201cNomadic Residents: Ghada Amer and Reza Farkhondeh,\u201d (March 2014) [online]<\/p>\n<p>Pincus-Witten, Robert, \u201cGhada Amer\/Cheim &amp; Read,\u201d Artforum (Summer 2014) [online]<\/p>\n<\/dd>\n<dt><b>2013<\/b><\/dt>\n<dd>\n<p>Artsy Editors, \u201cIn the Studio with Ghada Amer: Source Materials and Preparatory Drawings,\u201d Artsy (August 2, 2013) [online]<\/p>\n<p>Artsy Collecting, \u201cWhy Collect a Ghada Amer?,\u201d Artsy.net (August 5, 2013) [online]<\/p>\n<\/dd>\n<dt><b>2011<\/b><\/dt>\n<dd>Julie L. Belcolve, \u201cWorking Practice,\u201d 1st Dibs Introspective Magazine (February 2011)<\/dd>\n<dt><b>2010<\/b><\/dt>\n<dd>\n<p>Wolff, Rachel, \u201cGhada Amer\/Cheim &amp; Read,\u201d Artnews (Summer 2010) [online]<\/p>\n<p>Farhat, Maymanah, \u201cThe Creative Rebellion of Ghada Amer,\u201d Canvas Magazine (January 2010)<\/p>\n<\/dd>\n<dt><b>2009<\/b><\/dt>\n<dd>Enright, Robert, and Walsh, Meeka, \u201c The Thread of Painting: An Interview With Ghada Amer,\u201d Border Crossings (August 2009) [online]<\/dd>\n<dt><b>2008<\/b><\/dt>\n<dd>Rosenberg, Karen, \u201cVeiled or Naked: Scrutinizing Women\u2019s Roles,\u201d New York Times (June 20, 2008) [online]<\/dd>\n<dt><b>2007<\/b><\/dt>\n<dd>\n<p>Kolesnikov-Jessop, Sonia, \u201cGhada Amer: Defusing the power of erotic images,\u201d New York Times (March 12, 2007) [online]<\/p>\n<p>Bodycomb, Michael, \u201cNeedling More Than the Feminist Consciousness,\u201d New York Times (December 28, 2007) [online]<\/p>\n<\/dd>\n<dt><b>2006<\/b><\/dt>\n<dd>Berwick, Carly, \u201cBehind the Veil,\u201d ArtNews (September, 2006)<\/dd>\n<dt><b>2002<\/b><\/dt>\n<dd>\n<p>Frankel, David, \u201cGhada Amer at Deitch Projects,\u201d Artforum (February 2002) [online]<\/p>\n<p>\u201c9 Painters: An On the Page Installation by Ghada Amer,\u201d Modern Painters (Summer 2002)<\/p>\n<p>Renton, Andrew, \u201cBeyond Tradition,\u201d This is London (May 7, 2002)<\/p>\n<\/dd>\n<dt><b>2001<\/b><\/dt>\n<dd>Sheets, Hilarie M., \u201cStitch by Stitch, a Daughter of Islam Takes on Taboos,\u201d New York Times (November 25, 2001) [online]<\/dd>\n<\/dl><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4885\" class=\"elementor-tab-title\" data-tab=\"5\" role=\"button\" aria-controls=\"elementor-tab-content-4885\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Books & Catalogues<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4885\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"region\" aria-labelledby=\"elementor-tab-title-4885\"><dl class=\"dl-horizontal\">\n<dt><b>2019<\/b><\/dt>\n<dd>Great Women Artists. London and New York: Phaidon. 2019<\/dd>\n<dt><b>2018<\/b><\/dt>\n<dd>\n<p>Littman, Brett. Ghada Amer: Love is a Difficult Blue. Johannesburg: Goodman Gallery. 2018.<\/p>\n<p>Ceramics. Berlin: Distanz Verlag GmbH. 2018.<\/p>\n<\/dd>\n<dt><b>2015<\/b><\/dt>\n<dd>Akkaoui, Nathalie; Balaghi, Shiva; and Welch, Adam. Ghada Amer: Earth, Love, Fire. New York: Leila Heller Gallery. 2015.<\/dd>\n<dt><b>2014<\/b><\/dt>\n<dd>Cresseils, Anne. Rainbow Girls. New York: Cheim and Read. 2014.<\/dd>\n<dt><b>2013<\/b><\/dt>\n<dd>Martinez Rosa, and Fadda, Reem. Ghada Amer: R\u00e9f\u00e9rence \u00e0 Elle. Seoul: Kukje Gallery. 2013.<\/dd>\n<dt><b>2012<\/b><\/dt>\n<dd>\n<p>Rieffel, V\u00e9ronique. Le Corps D\u00e9couvert. Paris: Institut du Monde Arabe. 2012.<\/p>\n<p>Schwartz, Jamie and Lewis, Jacob. The Other I. Tina Kim Gallery. New York: Tina Kim Gallery. 2012.<\/p>\n<p>St. Gelais, Therese. Ghada Amer, Montr\u00e9al: Mus\u00e9e d\u2019art contemporain de Montr\u00e9al. 2012.<\/p>\n<\/dd>\n<dt><b>2011<\/b><\/dt>\n<dd>Rubin, Nathan. No Romance: Ghada Amer \/ Reza Farkhondeh &amp; Collaborative Work. Johannesburg: Goodman Gallery. 2011.<\/dd>\n<dt><b>2010<\/b><\/dt>\n<dd>\n<p>Antle, Martine. The Gardens Next Door. Lisbon: Galeria Filomena Soares. 2010.<\/p>\n<p>In Context: A Series of Exhibitions and Interventions Engaging with the City of Johannesburg: 23 May \u2013 17 July 2010. Johannesburg: Goodman Gallery. 2010.<\/p>\n<p>Reilly, Maura. Ghada Amer. New York: Gregory R. Miller &amp; Co. 2010.<\/p>\n<\/dd>\n<dt><b>2009<\/b><\/dt>\n<dd>Katz, Vincent. The Natural World, the Political Context: Collaborative Monoprints by Ghada Amer and Reza Farkhondeh. New York: Pace Prints. 2009<\/dd>\n<dt><b>2008<\/b><\/dt>\n<dd>Farrell, Laurie Ann. Ghada Amer &amp; Reza Farkhoneh: Collaborative Drawings. Seoul: Kukje Gallery. 2008.<\/dd>\n<dt><b>2007<\/b><\/dt>\n<dd>\n<p>Another Spring. Kukje Gallery: New York. 2007.<\/p>\n<p>Celant, Germano; Eccher, Danilo; Macri, Teresa; and Janus, Elizabeth. Ghada Amer. Rome: MACRO. 2007.<\/p>\n<\/dd>\n<dt><b>2006<\/b><\/dt>\n<dd>Buszek, Maria Elena. Ghada Amer. New York: Gagosian Gallery. 2006.<\/dd>\n<dt><b>2004<\/b><\/dt>\n<dd>\n<p>Mart\u00ednez, Rosa; Lundstr\u00f6m, Jan-Erik; and Millet, Teresa. Ghada Amer. Valencia, Spain: Institut d\u2019Art Modern. 2004.<\/p>\n<p>Dan, Cameron, and Deitch, Jefferey. Monument to Now. Athens: Deste Foundation. 2004.<\/p>\n<p>Farrell, Laurie Ann. Ghada Amer. Seoul: Kukje Gallery. 2004.<\/p>\n<p>Homes, A.M., Ghada Amer. New York: Gagosian Gallery. 2004.<\/p>\n<\/dd>\n<dt><b>2003<\/b><\/dt>\n<dd>\n<p>Martinez, Rosa. Ghada Amer. Lisbon: Galeria Filomena Soares. 2003.<\/p>\n<p>Stirrat, Betsy, and Johnson, Catherine. Feminine Persuasion. Bloomington: Indiana University Press. 2003.<\/p>\n<p>Amer, Sahar, and Oguibe, Olu. Ghada Amer. Amsterdam: De Appel. 2003.<\/p>\n<p>Freiman, Lisa D. Ghada Amer. Indianapolis: Indianapolis Museum of Art. 2003.<\/p>\n<p>Haglund, Elisabet, and Malestr\u00f6m, Tamara. Sites of Recurrence: A Workshop in Contemporary Art. Chennai, India: Madras Craft Foundation. 2003.<\/p>\n<\/dd>\n<dt><b>2002<\/b><\/dt>\n<dd>\n<p>Renton, Andrew. Ghada Amer. New York: Gagosian Gallery. 2002.<\/p>\n<p>Kim, Clara. Ghada Amer: D\u00e9lier les Langues. Geneva: Galerie Guy B\u00e4rtschi. 2002.<\/p>\n<p>Grosenick, Uta. Art Now. Cologne: Taschen. 2002.<\/p>\n<\/dd>\n<dt><b>2001<\/b><\/dt>\n<dd>\n<p>Cassel, Valerie. Ghada Amer: Pleasure [Perspectives 128]. Houston: Contemporary Art Museum. 2001.<\/p>\n<p>Wendt, Selene. Ghada Amer: Reading Between the Threads. H\u00f8vikodden: Henrie Onstad Kunstsenter. 2001.<\/p>\n<p>Moss, Karen. Ghada Amer. San Francisco: San Francisco Art Institute. 2001.<\/p>\n<\/dd>\n<dt><b>2000<\/b><\/dt>\n<dd>Guralnik, Nehama, and Mordecha, Omer. Ghada Amer: Intimate Confessions. Tel Aviv: Tel Aviv Museum of Art. 2000.<\/dd>\n<dt><b>1998<\/b><\/dt>\n<dd>Breitz, Candice. Ghada Amer. Kassel, Germany: Kunsthalle Fridericianum. 1998.<\/dd>\n<dt><b>1994<\/b><\/dt>\n<dd>Franceschi, Xavier, and Zahm, Olivier. Ghada Amer. Br\u00e9tigny-sur-Orge, France: Espace Jules Verne. 1994.<\/dd>\n<dt><b>1992<\/b><\/dt>\n<dd>Barbu, Th\u00e9ophie. Ghada Amer. Paris: H\u00f4pital Eph\u00e9m\u00e8re. 1992.<\/dd>\n<\/dl><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-4886\" class=\"elementor-tab-title\" data-tab=\"6\" role=\"button\" aria-controls=\"elementor-tab-content-4886\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Public collections<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-4886\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"6\" role=\"region\" aria-labelledby=\"elementor-tab-title-4886\"><ul>\n\t\t<li>Art Gallery of New South Wales, Sydney, Australia<\/li>\n\t\t<li>Art Institute of Chicago, Chicago, IL<\/li>\n\t\t<li>Barjeel Art Foundation, Sharjah, United Arab Emirates<\/li>\n\t\t<li>Birmingham Museum of Art, Birmingham, AL<\/li>\n\t\t<li>Brooklyn Museum, Brooklyn, NY<\/li>\n\t\t<li>Centre Georges Pompidou, Paris, France<\/li>\n\t\t<li>Museo Jumex, Mexico City, Mexico<\/li>\n\t\t<li>Crystal Bridges Museum of American Art, Bentonville, AR<\/li>\n\t\t<li>Detroit Institute of Art, Detroit, MI<\/li>\n\t\t<li>Fond National d\u2019Art Contemporain (FNAC), Paris<\/li>\n\t\t<li>Fonds R\u00e9gional d\u2019Art Contemporain (FRAC), Auvergne, France<\/li>\n\t\t<li>Fonds R\u00e9gional d\u2019Art Contemporain (FRAC), Provence-Alpes-C\u00f4te d\u2019Azur, France<\/li>\n\t\t<li>Guggenheim Museum, Abu Dhabi, United Arab Emirates<\/li>\n\t\t<li>Indianapolis Museum of Art, Indianapolis, IN<\/li>\n\t\t<li>Israel Museum, Jerusalem<\/li>\n\t\t<li>Istanbul Modern, Istanbul, Turkey<\/li>\n\t\t<li>Lille M\u00e9tropole Museum of Modern, Contemporary and Outsider Art, Villeneuve d\u2019Ascq, France<\/li>\n\t\t<li>Minneapolis Institute of Art, Minneapolis, MN<\/li>\n\t\t<li>Museum of Arts and Design, New York, NY<\/li>\n\t\t<li>Museum Kunstpalast, Dusseldorf, Germany<\/li>\n\t\t<li>Neuberger Berman Art Collection, New York, NY<\/li>\n\t\t<li>NSU Art Museum, Fort Lauderdale, FL<\/li>\n\t\t<li>Rhode Island School of Design, Providence, RI<\/li>\n\t\t<li>Sammlung Goetz, Munich, Germany<\/li>\n\t\t<li>Samsung Museum, Seoul, South Korea<\/li>\n\t\t<li>Savannah College of Art and Design, Savannah, GA<\/li>\n\t\t<li>Seattle Art Museum, Seattle, WA<\/li>\n\t\t<li>Smith College Museum of Art, Northampton, MA<\/li>\n\t\t<li>Speed Art Museum, Louisville, KY<\/li>\n\t\t<li>Tel Aviv Museum of Art, Tel Aviv, Israel<\/li>\n\t\t<li>Arab Museum of Modern Art (MATHAF), Qatar Museums Authority, Doha, Qatar<\/li>\n\t<\/ul><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Education 1989 MFA in Painting, Villa Arson EPIAR, Nice, France. Selected solo exhibitions 2021 New York, NY \u2013 Marianne Boesky Gallery \u2013 Ghada Amer \u2013 September 9 \u2013 October 23, 2021 2020 Zapopan, Mexico \u2013 Museo de Arte Zapopan \u2013 Hoy el 70% de los pobres en el mundo son mujeres \u2013 February 1 \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bio - Ghada Amer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bio - Ghada Amer\" \/>\n<meta property=\"og:description\" content=\"Education 1989 MFA in Painting, Villa Arson EPIAR, Nice, France. Selected solo exhibitions 2021 New York, NY \u2013 Marianne Boesky Gallery \u2013 Ghada Amer \u2013 September 9 \u2013 October 23, 2021 2020 Zapopan, Mexico \u2013 Museo de Arte Zapopan \u2013 Hoy el 70% de los pobres en el mundo son mujeres \u2013 February 1 \u2013 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/\" \/>\n<meta property=\"og:site_name\" content=\"Ghada Amer\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/GhadaAmerStudios\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-31T14:20:20+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@Ghada_Amer\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/\",\"url\":\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/\",\"name\":\"Bio - Ghada Amer\",\"isPartOf\":{\"@id\":\"https:\/\/ghadaamer.com\/#website\"},\"datePublished\":\"2021-07-22T17:02:35+00:00\",\"dateModified\":\"2022-10-31T14:20:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ghadaamer.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"About Ghada Amer\",\"item\":\"https:\/\/ghadaamer.com\/about-ghada-amer\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Bio\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ghadaamer.com\/#website\",\"url\":\"https:\/\/ghadaamer.com\/\",\"name\":\"Ghada Amer\",\"description\":\"Contemporary Artist\",\"publisher\":{\"@id\":\"https:\/\/ghadaamer.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ghadaamer.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ghadaamer.com\/#organization\",\"name\":\"Ghada Amer\",\"url\":\"https:\/\/ghadaamer.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ghadaamer.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ghadaamer.com\/wp-content\/uploads\/2021\/07\/logo_ghada-amer.png\",\"contentUrl\":\"https:\/\/ghadaamer.com\/wp-content\/uploads\/2021\/07\/logo_ghada-amer.png\",\"width\":347,\"height\":130,\"caption\":\"Ghada Amer\"},\"image\":{\"@id\":\"https:\/\/ghadaamer.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/GhadaAmerStudios\",\"https:\/\/x.com\/Ghada_Amer\",\"https:\/\/www.instagram.com\/ghadaamer\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Bio - Ghada Amer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ghadaamer.com\/about-ghada-amer\/bio\/","og_locale":"en_US","og_type":"article","og_title":"Bio - Ghada Amer","og_description":"Education 1989 MFA in Painting, Villa Arson EPIAR, Nice, France. 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