{"id":1444,"date":"2023-04-03T09:00:00","date_gmt":"2023-04-03T09:00:00","guid":{"rendered":"https:\/\/ghadaamer.com\/?p=1444"},"modified":"2022-10-16T17:23:00","modified_gmt":"2022-10-16T17:23:00","slug":"ghada-amers-painting-goes-into-hiding","status":"publish","type":"post","link":"https:\/\/ghadaamer.com\/ceramic\/ghada-amers-painting-goes-into-hiding\/","title":{"rendered":"Ghada Amer\u2019s Painting Goes into Hiding"},"content":{"rendered":"\n

In a garden, slithering in the grass, small snails quickly cowl back into their shells. They are hiding, perhaps from a predator or from curious children. Many of us would have shared this experience in our youth, many of us would have picked up those small spiraled and folded shells. As we grab it, we begin looking for the hidden snail. In the children\u2019s game, the material of the shell but also its folded form provide the snail\u2019s shelter. Hiding in the shell, hiding in its folds.<\/p>\n\n\n\n

What\u2019s in Ghada Amer\u2019s Hiding<\/em>, literally? What is hiding from us? We can talk about what we see, describe its form, what the sculpture looks like and discuss the materials used to make it. In other words, we can talk about its form. As for the content, what the work itself is about, that <\/em>remains  a mystery. Figuring out the topic of the work is not that simple.  <\/p>\n\n\n\n

In terms of form, Ghada Amer\u2019s Hiding <\/em>is a small ceramic sculpture. We see an ebb covering various folds. All the work\u2019s surfaces are irregular. As the eye skims the work, it never sits still, possibly looking for something hiding under the folds. Hiding <\/em>is part of Ghada Amer\u2019s early venture in  ceramics. Together with Portrait en Vert,T\u00e2che Orange<\/em> (2014) and Homage \u00e0 Chamberlain <\/em>(2015), they were created by means of folded slabs of clay. What sets Hiding<\/em> apart, however, is how it engages folding. In other words, folding is not only the topic of the work, it is also its form.<\/p>\n\n\n\n

While Hiding<\/em> might seem like an amorphous sculpture, it is actually a volume whose concave features are created by rich folds. The importance of the folds in this sculpture  and their expressive presence are evocative of what Deleuze explores in his The<\/em> Fold: Leibniz and the Baroque <\/em>(1993). <\/em>Folds have the ability to <\/em>help us discern and examine the inside; they also interact with various materials like ceramics in this case. The ceramic in Ghada Amer\u2019s work expresses itself through<\/em> the form of the fold.<\/p>\n\n\n\n

Paint plays also a significant role in this sculpture. We see various patches of blue, orange and black as well as what seems to be black lines. These lines, owing to the creased and folded nature of the sculpture, cannot be traced from beginning to end. By painting  on the clay slab, one can say that Ghada Amer uses the clay as a canvas, and that her palette is made of porcelain. Once the coloured ceramic flat slab is folded, the painting itself is folded into<\/em> the sculpture.<\/p>\n\n\n\n

The folds, the paint and the ceramics work together to produce the sculpture. More particularly, the folds produce concave structures which appeal to both hiding and Hiding<\/em>. Ghada Amer\u2019s folds fall not only under the work\u2019s form but also express its meaning. Only by taking into account the relationship between hiding, folding and painting, can we begin to understand the content and topic of Amer\u2019s Hiding<\/em>. The folded painting becomes, by means of the expressive folds, also the hidden painting.<\/p>\n\n\n\n

So what\u2019s in Hiding<\/em>? Ghada Amer\u2019s painting goes into Hiding<\/em>!<\/p>\n\n\n\n

References:
Gilles Deleuze. The Fold: Leibniz and the Baroque<\/em>. Trans Tom Conley. London: The Athlone Press, 1993.<\/p>\n","protected":false},"excerpt":{"rendered":"

In a garden, slithering in the grass, small snails quickly cowl back into their shells. They are hiding, perhaps from a predator or from curious children. Many of us would have shared this experience in our youth, many of us would have picked up those small spiraled and folded shells. As we grab it, we […]<\/p>\n","protected":false},"author":4,"featured_media":1445,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[91,95,93,94,92,49],"yoast_head":"\nGhada Amer\u2019s Painting Goes into Hiding - Ghada Amer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ghadaamer.com\/ceramic\/ghada-amers-painting-goes-into-hiding\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ghada Amer\u2019s Painting Goes into Hiding - Ghada Amer\" \/>\n<meta property=\"og:description\" content=\"In a garden, slithering in the grass, small snails quickly cowl back into their shells. They are hiding, perhaps from a predator or from curious children. 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