{"id":1578,"date":"2022-09-15T17:25:04","date_gmt":"2022-09-15T17:25:04","guid":{"rendered":"https:\/\/ghadaamer.com\/?p=1578"},"modified":"2022-11-30T07:42:03","modified_gmt":"2022-11-30T07:42:03","slug":"la-voix-de-la-femme-est-revolution-2022","status":"publish","type":"post","link":"https:\/\/ghadaamer.com\/gardens\/la-voix-de-la-femme-est-revolution-2022\/","title":{"rendered":"La Voix de la femme est r\u00e9volution (2022)"},"content":{"rendered":"\n
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Article disponible en anglais<\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n

Si elle est connue principalement pour ses peintures brod\u00e9es, sa c\u00e9ramique et ses sculptures en acier et en bronze, Ghada Amer a n\u00e9anmoins cr\u00e9\u00e9 des jardins depuis 1997, et donc depuis le tout d\u00e9but de son cheminement artistique en 1990.<\/p>\n\n\n\n

Le nouveau jardin de Ghada Amer<\/strong><\/h2>\n\n\n\n

Pour sa r\u00e9trospective au MUCEM \u00e0 Marseille, Ghada Amer innove cette fois-ci en ayant recours pour la premi\u00e8re fois \u00e0 l\u00b4\u00e9criture arabe dans ses jardins. \u201cA Woman\u2019s Voice is Revolution\u201d se place sans aucun doute parmi ses installations les plus audacieuses et les plus radicales d\u2019un point de vue politique.<\/p>\n\n\n\n

La voix d\u2019une femme suscite la honte  <\/strong><\/h2>\n\n\n\n
\"\"
Traduction fran\u00e7aise: La voix de la femme suscite la honte<\/figcaption><\/figure>\n\n\n\n

Avec sa nouvelle cr\u00e9ation, Ghada Amer remet en cause le proverbe arabe courant \u201cLa voix d\u2019une femme suscite la honte\u201d.  Ce proverbe, est issu d\u2019un hadith controvers\u00e9 (les hadiths sont la tradition orale du proph\u00e8te) tel qu\u2019il a \u00e9t\u00e9 transmis par le juriste musulman v\u00e9n\u00e9r\u00e9 Al-Bukhari (ca. 808-870 CE) et selon lequel ceux qui font confiance aux femmes dans leurs affaires ne prosp\u00e8reront jamais.<\/p>\n\n\n\n

Pendant des si\u00e8cles, ce hadith a \u00e9t\u00e9 utilis\u00e9 strat\u00e9giquement par certains repr\u00e9sentants politiques et th\u00e9ologiens orthodoxes pour d\u00e9noncer la voix des femmes qui serait, selon eux, source d\u2019instabilit\u00e9 sociale et politique menant au chaos. Vue sous cet angle, la voix d\u2019une femme, tout comme son corps ou sa chevelure d\u2019ailleurs, doivent \u00eatre bannis des sph\u00e8res sociales o\u00f9 on pourrait les entendre ou m\u00eame les voir. Si le corps de la femme se doit d\u2019\u00eatre voil\u00e9, selon certains musulmans, sa voix doit aussi \u00eatre pass\u00e9e sous silence car elle est scandaleuse et r\u00e9pr\u00e9hensible. La voix d\u2019une femme m\u00e8nerait \u00e0 la confusion religieuse, au d\u00e9sordre social et \u00e0 la r\u00e9bellion politique.  \u00c9couter et se laisser aller \u00e0 la douceur de la voix d\u2019une femme ferait office de tentation pour les hommes, les rendant impurs et entra\u00eenant la discorde au sein de la communaut\u00e9.<\/p>\n\n\n\n

Donner \u00e0 la femme la parole c\u2019est lui donner ses droits<\/strong><\/h2>\n\n\n\n

Par le d\u00e9placement strat\u00e9gique d\u2019une seule lettre du proverbe, Ghada Amer en subvertit le message et efface toute notion de honte associ\u00e9e \u00e0 la femme. Elle transforme ainsi la rh\u00e9torique de la honte en un slogan f\u00e9ministe puissant qui revendique le droit \u00e0 la parole et \u00e0 la libert\u00e9. Ghada Amer avait vu nombre fois ce slogan affich\u00e9 pendant les Printemps Arabes en 2011. C\u2019est ce m\u00eame slogan d\u2019ailleurs qui avait \u00e9t\u00e9 repris officiellement par la Coalition de la Femme de la R\u00e9volution au cours de la journ\u00e9e internationale de la femme en 2013: La Voix de la Femme est R\u00e9volution. Quelle grande diff\u00e9rence une seule lettre produit !<\/p>\n\n\n\n

\"\"
Traduction fran\u00e7aise:  La voix de la femme est r\u00e9volution<\/figcaption><\/figure>\n\n\n\n

La voix des femmes dans l\u2019histoire<\/strong><\/h2>\n\n\n\n

On pourrait se laisser aller \u00e0 penser que r\u00e9duire les femmes au silence serait juste \u201cun probl\u00e8me musulman.\u201d Cependant, au cours de l\u2019histoire du monde, les femmes ont d\u00fb se battre  pour faire entendre leurs voix et l\u2019autorit\u00e9 f\u00e9minine a toujours \u00e9t\u00e9 effac\u00e9e au profit du masculin. Il n\u2019y a qu\u2019\u00e0 rappeler la mani\u00e8re dont les \u00e9crits des femmes ont si souvent \u00e9t\u00e9 sign\u00e9s anonymement ou sous un pseudonyme. M\u00eame au 18\u00e8me si\u00e8cle, malgr\u00e9 l\u2019augmentation du taux d\u2019alphab\u00e9tisation des femmes, celles-ci ont continu\u00e9 \u00e0 \u00eatre d\u00e9nigr\u00e9es et tr\u00e8s peu d\u2019entre elles ont pu vivre de leurs \u00e9crits. Et jusqu\u2019aux salons pourtant organis\u00e9s par des femmes, nomm\u00e9es les salonni\u00e8res, il y avait tr\u00e8s peu d\u2019\u00e9v\u00e8nements o\u00f9 elles pouvaient pr\u00e9senter leurs travaux. L\u2019exclusion des femmes des sph\u00e8res culturelles, intellectuelles et politiques a \u00e9t\u00e9 inc\u00e9ssante au cours des temps.<\/p>\n\n\n\n

Le charbon et les fleurs ou comment affirmer la pers\u00e9v\u00e9rance des femmes<\/strong><\/h2>\n\n\n\n

La structure et les lettres du jardin de Ghada Amer sont en acier. Les lettres arabes sont remplis  de charbon, une allusion directe \u00e0 la tradition de br\u00fbler les sorci\u00e8res, et donc de r\u00e9duire au silence toute femme subversive de fa\u00e7on g\u00e9n\u00e9ral. Les espaces qui entourent les trois mots en arabe sont, quant \u00e0 eux, remplis de plantes. Le choix d\u00e9lib\u00e9r\u00e9 d\u2019utiliser les immortelles, une plante m\u00e9dicinale m\u00e9diterran\u00e9enne qui fleurit chaque printemps, est un appel m\u00e9morial \u00e0 la r\u00e9silience et \u00e0 la t\u00e9nacit\u00e9 des femmes face aux extr\u00e9mismes religieux, au sexisme, \u00e0 la violence et \u00e0 la patriarchie.<\/p>\n\n\n\n

\u201cA Woman\u2019s Voice is Revolution\u201d est une cr\u00e9ation unique consacr\u00e9e \u00e0 la r\u00e9trospective de Ghada Amer \u00e0 Marseille. Cette \u0153uvre ouvre le 17 septembre 2022 au Fort Saint Jean au MUCEM et accueillera le public jusqu\u2019au 16 avril 2023.<\/p>\n\n\n\n

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\"woman's<\/figure>\n\n\n\n
\"woman's<\/figure>\n\n\n\n
\"woman's<\/figure>\n\n\n\n
\"woman's<\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Si elle est connue principalement pour ses peintures brod\u00e9es, sa c\u00e9ramique et ses sculptures en acier et en bronze, Ghada Amer a n\u00e9anmoins cr\u00e9\u00e9 des jardins depuis 1997, et donc depuis le tout d\u00e9but de son cheminement artistique en 1990. Le nouveau jardin de Ghada Amer Pour sa r\u00e9trospective au MUCEM \u00e0 Marseille, Ghada Amer […]<\/p>\n","protected":false},"author":3,"featured_media":1567,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[111,106],"yoast_head":"\nLa Voix de la femme est r\u00e9volution (2022) - Ghada Amer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ghadaamer.com\/gardens\/la-voix-de-la-femme-est-revolution-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Voix de la femme est r\u00e9volution (2022) - Ghada Amer\" \/>\n<meta property=\"og:description\" content=\"Si elle est connue principalement pour ses peintures brod\u00e9es, sa c\u00e9ramique et ses sculptures en acier et en bronze, Ghada Amer a n\u00e9anmoins cr\u00e9\u00e9 des jardins depuis 1997, et donc depuis le tout d\u00e9but de son cheminement artistique en 1990. 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She has collaborated with Ghada Amer on a number of projects, including \u201cThe Encyclopedia of Pleasure,\u201d \u201cMajnun,\u201d \u201cOne Hundred Words of Love,\u201d and \u201cThe Words I Love the Most.\u201d Prior to this role, she was Professor of French and Arab Studies at the University of North Carolina-Chapel Hill (USA) and Professor and Chair of the Department of Arabic Language and Cultures at the University of Sydney (Australia). Her primary research interests focus on the relations between Arab and Muslim societies and the West, and the notion of borders (cultural, linguistic, historical and geographic), not as elements of separation and division, but rather as fluid spaces of cultural exchange, adaptation, and collaboration. 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